I work with clay from the wheel, starting with a grounded form that holds the surface that follows.

On this form I build layers of glaze, engobes, and oxides. The surface develops slowly through firing, where colour, depth, and texture settle into each piece.

I am drawn to the feeling of weather and landscape, the way light shifts, how distance softens, how surfaces carry time. These qualities become the starting point for the work.

In the studio, pieces take shape through making, layering, and firing. Each surface develops its own atmosphere, holding a quiet sense of place and change.